“Just that. Exactly that. When I am a hundred I shall not require sleep. Also, I shall be living on air. There are plants that live on air, you know.” The Snark is to be sailed. There will be a gasolene engine on board, but it will be used only in case of emergency, such as in bad water among reefs and shoals, where a sudden calm in a swift current leaves a sailing-boat helpless. The rig of the Snark is to be what is called the “ketch.” The ketch rig is a compromise between the yawl and the schooner. Of late years the yawl rig has proved the best for cruising. The ketch retains the cruising virtues of the yawl, and in addition manages to embrace a few of the sailing virtues of the schooner. The foregoing must be taken with a pinch of salt. It is all theory in my head. I’ve never sailed a ketch, nor even seen one. The theory commends itself to me. Wait till I get out on the ocean, then I’ll be able to tell more about the cruising and sailing qualities of the ketch.!

“Nothing,” said she. In the morning we awoke in fairyland. The Snark rested in a placid harbour that nestled in a vast amphitheatre, the towering, vine-clad walls of which seemed to rise directly from the water. Far up, to the east, we glimpsed the thin line of a trail, visible in one place, where it scoured across the face of the wall.

And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation. “A pretty good chest,” quoth I, admiringly; “it would even make a gorilla envious.” The cutter was a small, sloop-rigged affair, but large it seemed alongside Tehei’s canoe. On the other hand, when we got out on the lagoon and were struck by another heavy wind-squall, the cutter became liliputian, while the Snark, in our imagination, seemed to promise all the stability and permanence of a continent. They were good boatmen. Tehei and Bihaura had come along to see us home, and the latter proved a good boatwoman herself. The cutter was well ballasted, and we met the squall under full sail. It was getting dark, the lagoon was full of coral patches, and we were carrying on. In the height of the squall we had to go about, in order to make a short leg to windward to pass around a patch of coral no more than a foot under the surface. As the cutter filled on the other tack, and while she was in that “dead” condition that precedes gathering way, she was knocked flat. Jib-sheet and main-sheet were let go, and she righted into the wind. Three times she was knocked down, and three times the sheets were flung loose, before she could get away on that tack.